Part of Picasso’s 347 Series, this etching captures his late obsession with movement, drama, and classical form. A Roman chariot scene unfolds with a rider mid-fall, a reclining nude, and an audience alive with energy. Picasso fuses Greco-Roman motifs with modern experimentation, blending control and chaos through his dynamic line work. Traces of his neoclassical style mix with raw spontaneity, marking one of his final, most expressive explorations in printmaking.